{"id":329,"date":"2014-02-19T11:35:26","date_gmt":"2014-02-19T11:35:26","guid":{"rendered":"http:\/\/heikealbrecht.net\/ha\/?p=329"},"modified":"2017-03-27T12:37:00","modified_gmt":"2017-03-27T12:37:00","slug":"deutsch-contingencies","status":"publish","type":"post","link":"http:\/\/heikealbrecht.net\/ha\/2014\/02\/19\/deutsch-contingencies\/","title":{"rendered":"Contingencies"},"content":{"rendered":"

19.02.2014 (Premiere)<\/strong>
\n Uferstudio 14 | Tanzfabrik Berlin-Wedding<\/strong><\/p>\n

Contingencies explores differences. Differences each performer meets in unpredictable detours of habitual movement patterns as well as differences that appear within the group of performers. Herein lay the possibilities, potentials and hazards that contribute to the emergence of Contingencies as textures and processes of being together that are permanently renewed. Thus multi-layered and simultaneous timelines are being practiced and become perceivable as such. Light, music and architecture each intervene autonomously within the unfolding of the performance.<\/p>\n

Following the series On Orientations, that investigated i.a. the relation between bodies and space, Contingencies reflects on architecture as performative element. Starting from a first version of the piece future architectures of the piece will emerge in different spaces as specific variations of Contingencies. As such the piece Contingencies maintains always difference in itself. The group, in being together, as well as the relation of the performers with the audience thus remains in constant negotiation.<\/p>\n

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Artistic Direction \/ Choreography<\/em> Ian Kaler
\nMusic<\/em> Brendan Dougherty
\nLightdesign<\/em> Bruno Pocheron together with Susana Alonso (La Parole Errante) and Emma Juliard (Leopold Museum)
\nCostume Marcus Karkhof
\nDramaturgy \/ Somatic Coach<\/em> Heike Albrecht
\nInput Body Work<\/em> Patricia Br\u00fcllhart
\nTextual Work<\/em> Anne Schuh
\nProject Leadership<\/em> das Schaufenster (Vienna\/Berlin) and Heike Albrecht (Berlin)
\nAssistance<\/em> Thomas Schaupp
\nGraphique<\/em> Tommy Hui Shui Cheung
\n Production<\/em> Ian Kaler
\nCoproduction<\/em> Tanzquartier Wien and ImPulsTanz
\nCooperation<\/em> Tanzfabrik Berlin and APAP – Advancing Performing Arts Project – Performing Europe
\nSupported by<\/em> Wien Kultur, bmukk and Der Regierende B\u00fcrgermeister von Berlin Senatskanzlei Kulturelle Angelegenheiten<\/h5>\n
Contingencies | Odeon
\n25th of April 2015 | in the frame of feedback 3rd Edition
\nPerformance<\/em> Ian Kaler, Rodrigo Sobarzo, Sigal Zouk
\nMusic Performance<\/em> Sebastian Bauer
\nContingencies | Kasino am Schwarzenbergplatz
\n29th and 31st of July 2014
\nPerformance<\/em> Joris Camelin, Tom Engels, Ian Kaler, Noha Ramadan, Rodrigo Sobarzo
\nContingencies | La Parole Errante
\n17th and 18th of May 2014 | Guest Performance at Rencontres chor\u00e9graphiques internationales de Seine-Saint-Denis in La Parole Errante
\nPerformance<\/em> Joris Camelin, Tom Engels, Ian Kaler, Noha Ramadan
\nContingencies | Leopold Museum
\n2nd and 3rd of May 2014
\nPerformance<\/em> Joris Camelin, Tom Engels, Noha Ramadan
\nContingencies | Uferstudio 14
\n19th, 20th and 23rd of February 2014
\nPerformance<\/em> Joris Camelin, Tom Engels, Dolores Hulan, Ian Kaler, Noha Ramadan
\nSpace<\/em> Jozef Wouters<\/h5>\n
www.iankaler.org<\/h5>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Contingencies explores differences. Differences each performer meets in unpredictable detours of habitual movement patterns as well as differences that appear within the group of performers. Herein lay the possibilities, potentials and hazards that contribute to the emergence of Contingencies as textures and processes of being together that are permanently renewed.<\/p>\n","protected":false},"author":2,"featured_media":331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":""},"categories":[14],"tags":[87,46,88],"_links":{"self":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/329"}],"collection":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":26,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/329\/revisions"}],"predecessor-version":[{"id":757,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/329\/revisions\/757"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media\/331"}],"wp:attachment":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media?parent=329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/categories?post=329"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/tags?post=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}