{"id":303,"date":"2015-07-25T14:54:29","date_gmt":"2015-07-25T14:54:29","guid":{"rendered":"http:\/\/heikealbrecht.net\/ha\/?p=303"},"modified":"2022-03-24T14:52:35","modified_gmt":"2022-03-24T14:52:35","slug":"deutsch-o-t-gateways-to-movement","status":"publish","type":"post","link":"http:\/\/heikealbrecht.net\/ha\/2015\/07\/25\/deutsch-o-t-gateways-to-movement\/","title":{"rendered":"o.T. | (gateways to movement)"},"content":{"rendered":"<p><strong>24.07.2015 (Premiere)<\/strong><br \/>\n<strong> WUK \u2013 ImPulsTanz Wien<\/strong><\/p>\n<p>In the second piece of the series <em>o.T.<\/em>, Ian Kaler together with Philipp Gehmacher and music producer Aquarian Jugs aka Planningtorock investigates connections, commonalities and threshold areas as possible approaches to movement and dynamics of his movement practice specially developed for<em> o.T.<\/em>.<br \/>\nSubsequent to the first part of the series \u2013 <em>(the emotionality of the jaw) \u2013 (gateways to movement)<\/em> further develops the solo concept as and with an interplay of the actors. <em>(gateways to movement)<\/em> marks a process of mutual questioning and challenging, and offers a playful approach to how friendship, companionship and complicity may trigger overcoming the predictable and make it accessible.<br \/>\nThe concept implies interweaving and pulsating of inner and outer movements, balancing un\/familiar states of permeation in moments of encounter. Let us enter the space with our movements, steps, emotions and conditions in order to integrate our un\/foreseeable and currently uncanny world!<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium wp-image-301\" src=\"http:\/\/heikealbrecht.net\/ha\/wp-content\/uploads\/2017\/02\/o.T.-gateways-to-movement-\u00a9-Eva-W\u00fcrdinger-6-300x200.jpg\" alt=\"o.T. gateways to movement \u00a9 Eva W\u00fcrdinger\" width=\"300\" height=\"200\" \/><\/p>\n<h5>Artistic team<br \/>\n<em>Artistic Direction \/ Choreografic Framing<\/em> Ian Kaler<br \/>\n<em> Performance Philipp <\/em>Gehmacher and Ian Kaler<br \/>\n<em> Music composed \/ produced \/ performed by <\/em>AQUARIAN JUGS aka Jam Rostron<br \/>\n<em>Space<\/em> Stephanie Rauch<br \/>\n<em> Lightdesign <\/em>Jan Maertens<br \/>\n<em>Costumes<\/em> Marcus Karkhof<br \/>\n<em> Dramaturgy <\/em>Heike Albrecht<br \/>\n<em> Input Bodywork <\/em>Heike Albrecht, Stephane Peeps Moun<br \/>\n<em> Projectmanagement <\/em>das Schaufenster<br \/>\n<em> Production <\/em>Ian Kaler<br \/>\n<em> Coproduction ImPulsTanz \u2013 Vienna International Dance Festival<\/em><br \/>\n<em> Supported by Wien Kultur<\/em><\/h5>\n<p>The series o.T. is a production of Ian Kaler in coproduction with HAU Hebbel am Ufer, ImPulsTanz \u2013 Vienna International Dance Festival, Norrlandsoperan and Tanzquartier Wien in Cooperation with Tanzfabrik Berlin and APAP &#8211; Advancing Performing Arts Project &#8211; Performing Europe supported by Wien Kultur, Der Regierende B\u00fcrgermeister von Berlin Senatskanzlei Kulturelle Angelegenheiten and NATIONALE PERFORMANCE NETZ (NPN) Koproduktionsf\u00f6rderung Tanz aus Mitteln des Beauftragten der Bundesregierung f\u00fcr Kultur und Medien aufgrund eines Beschlusses des Deutschen Bundestags.<\/p>\n<p>www.iankaler.org<\/p>","protected":false},"excerpt":{"rendered":"<p>In the second piece of the series o.T., Ian Kaler together with Philipp Gehmacher and music producer Aquarian Jugs aka Planningtorock investigates connections, commonalities and threshold areas as possible approaches to movement and dynamics of his movement practice specially developed for o.T..<\/p>\n","protected":false},"author":2,"featured_media":1146,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":""},"categories":[14],"tags":[25,31,30,29],"_links":{"self":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/303"}],"collection":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/comments?post=303"}],"version-history":[{"count":20,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/303\/revisions"}],"predecessor-version":[{"id":1022,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/303\/revisions\/1022"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media\/1146"}],"wp:attachment":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media?parent=303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/categories?post=303"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/tags?post=303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}