{"id":241,"date":"2012-11-24T10:19:38","date_gmt":"2012-11-24T10:19:38","guid":{"rendered":"http:\/\/heikealbrecht.net\/ha\/?p=241"},"modified":"2022-04-28T10:53:06","modified_gmt":"2022-04-28T10:53:06","slug":"favoriten-2012","status":"publish","type":"post","link":"http:\/\/heikealbrecht.net\/ha\/2012\/11\/24\/favoriten-2012\/","title":{"rendered":"FAVORITEN 2012"},"content":{"rendered":"<p><strong>24.11.-1.12.2012<\/strong><br \/>\n<strong>Dortmund<\/strong><\/p>\n<p>The focus of the theatre festival FAVORITEN 2012 was on twelve productions created in cooperation with designated venues and producers of independent theatre and dance in NRW.<br \/>\nThe multi-faceted music theatre revue &#8220;Hajusom in Bollyland&#8221; dealt with the biographies of young refugees. Choreographer Yoshie Shibahara developed a dialogue of cultures in her dance performance &#8220;Exuviae&#8221;. In &#8220;Young &amp; Furious&#8221;, a production by Samir Akika and Johannes Fundermann, eight young performers hurled their sensitivities onto the stage. &#8220;The Dresses of Women&#8221;, a production by Thorsten Lensing and Jan Hein, exposes the soul of a certain Rita (Ursina Lardi). &#8220;We watch you watch&#8221; by Philine Velhagen is a cheerfully subversive performance in urban space. &#8220;FASADA 1\/2&#8221;, a production by kainkollektiv, explored the reality of the city of Krakow. HELIOS Theatre presented &#8220;Hinter den Spiegeln&#8221;, an imaginary journey of images and sounds for people eight and up. &#8220;Romantic Afternoon*&#8221; by Verena Billinger and Sebastian Schulz is an entertaining self-experiment on the subject of kissing. The wood project&#8221; by Felix B\u00fcrkle, a bow to the forest as a living being, moved between dance and installation. &#8220;Today: Kohlhaas&#8221; is a furious play about power, arbitrariness and resistance, realised by Theater Marabu &amp; AGORA with the means of fairground theatre. copy &amp; waste developed &#8220;Orlac Hand Out&#8221;, a pop cultural kaleidoscope in times of body tuning and gene design. &#8220;GRIND&#8221;, a creation by Jefta van Dinther, Minna Tiikainen and David Kiers, is a nerve-racking metaphor for our contemporary world.<\/p>\n<p>The thematic series &#8220;Stay with me for a little while&#8221; established a new setting for the festival: the city itself. The rapidly changing living conditions of the modern city were taken up. Choreographers, directors, photographers, video artists and musicians developed artistic concepts of radical participation: tracing social and political realities, cooperating with cultures in the urban space such as parkour and jerking, networking in the city of Dortmund and directly involving its inhabitants were the keywords here. The festival opened with a unique philosophical party with &#8220;\u00a9oPirates Dortmund&#8221; by choreographer Richard Siegal. Its conclusion with &#8220;Favorits&#8221; gave an insight into the work of Raimund Hoghe, resident in NRW and a major protagonist of the European dance and performance scene.<\/p>\n<p>[su_custom_gallery source=&#8221;media: 250,251,252,253,254&#8243; link=&#8221;lightbox&#8221; width=&#8221;210&#8243; height=&#8221;210&#8243;]<\/p>\n<p>Artists<br \/>\nNevin Aladag Best Friends Dortmund<br \/>\nSamir Akika and Johannes Fundermann Young &amp; Furious<br \/>\nTheatre Marabu &amp; AGORA Today: Kohlhaas<br \/>\nVerena Billinger &amp; Sebastian Schulz Romantic Afternoon*<br \/>\nFelix B\u00fcrkle The wood project<br \/>\ncopy &amp; waste Orlac Hand Out<br \/>\ncopy &amp; waste Cheap Throat<br \/>\nJefta van Dinther, Minna Tiikainen and David Kiers GRIND<br \/>\nPhiline Velhagen \/ Drama Cologne We Watch You Watch<br \/>\nHajusom Theatre Hajusom in Bollyland<br \/>\nHELIOS Theatre Behind the Mirrors<br \/>\nRaimund Hoghe Favourites<br \/>\nThorsten Lensing, Jan Hein and Ursina Lardi The Women&#8217;s Clothes<br \/>\nkainkollektiv (Mirjam Schmuck\/Fabian Lettow) FASADA 1\/2<br \/>\nPuzzleBeatZ &amp; Phil Hallay PuzzleBeatZ workin&#8217; hard<br \/>\nRaumZeitPiraten &amp; Jan Ehlen Festival Centre<br \/>\nRichard Siegal \u00a9oPirates Dortmund<br \/>\nYoshie Shibahara Exuviae<br \/>\nTeam<br \/>\nArtistic Director Aenne Qui\u00f1ones<br \/>\nProgramme Management &amp; Dramaturgy Heike Albrecht<br \/>\nAssistant Artistic Director Johanna-Yasirra Kluhs<br \/>\nScouts Steffen Moor, Judith Pawlitta, Jascha Sommer<br \/>\nProduction Management Armin Leoni<br \/>\nAssistant production manager Judith Heese<br \/>\nProduction Management \u00a9oPirates Tanja Martin<br \/>\nPress Relations &amp; Marketing Claudia Holthausen<br \/>\nGraphics J\u00fcrgen Fehrmann<br \/>\nPhotos Julia Elger, J\u00fcrgen Fehrmann<br \/>\nTheatre pedagogy Stefan Blank<br \/>\nTechnical management Haj\u00fc M\u00fcller<br \/>\nManagement Andre Sebastian, Nil\u00fcfer Kemper<br \/>\nAssistant to the management Johanna Knott<br \/>\nParticipating institutions, patrons and partners:<br \/>\nCity of Dortmund Cultural Office, Verband Freie Darstellende K\u00fcnste NRW e.V., Ministry for Family, Children, Youth, Culture and Sport NRW, City of Dortmund, NRW State Office for Independent Culture, LWL Cultural Foundation, Stiftung Kulturhauptstadt RUHR.2010, Kunststiftung NRW, NRW KULTURsekretariat, Nationales Performance Netz<br \/>\nSchauspiel Dortmund, Theater im Depot Dortmund, Dietrich-Keuning-Haus Dortmund, HMKV Hartware MedienKunstVerein, LAG Tanz NRW, Kulturrucksack NRW, Department of Scenography and Applied Social Sciences FH Dortmund, Institute of Theatre Studies at Ruhr University Bochum, Pumpenhaus M\u00fcnster, FFT D\u00fcsseldorf, PACT Zollverein Essen, Ringlokschuppen M\u00fclheim, etc.<br \/>\nFAV2012<\/p>\n<p>download programme &gt;&gt;&gt;<br \/>\nhttp:\/\/www.favoriten2012.de\/de\/festival.html<\/p>","protected":false},"excerpt":{"rendered":"<p class=\"qtranxs-available-languages-message qtranxs-available-languages-message-en\">Sorry, this entry is only available in <a href=\"http:\/\/heikealbrecht.net\/ha\/de\/wp-json\/wp\/v2\/posts\/241\" class=\"qtranxs-available-language-link qtranxs-available-language-link-de\" title=\"deutsch\">German<\/a>.<\/p>\n","protected":false},"author":2,"featured_media":436,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null},"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/241"}],"collection":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/comments?post=241"}],"version-history":[{"count":19,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/241\/revisions"}],"predecessor-version":[{"id":1059,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/241\/revisions\/1059"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media\/436"}],"wp:attachment":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media?parent=241"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/categories?post=241"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/tags?post=241"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}