{"id":157,"date":"2016-01-28T11:05:10","date_gmt":"2016-01-28T11:05:10","guid":{"rendered":"http:\/\/heikealbrecht.net\/ha\/?p=157"},"modified":"2022-04-12T19:03:13","modified_gmt":"2022-04-12T19:03:13","slug":"boom-bodies","status":"publish","type":"post","link":"http:\/\/heikealbrecht.net\/ha\/2016\/01\/28\/boom-bodies\/","title":{"rendered":"Boom Bodies"},"content":{"rendered":"<p><strong>Tanzquartier Wien<br \/>\n28.01.2016 (Premiere)<br \/>\n<\/strong><\/p>\n<p>The present draws boundaries and builds closed systems. It creates spaces of fear in which we move. How is this present inscribed in us, our corporeality?<br \/>\nDoris Uhlich joins eight international dancers to explore a dance technique that is devoted to opening, that tests the limits of energy output and that yearns to be able to use energy to move the surroundings, the outside world \u2013 an output of energy that sees the body as the epicentre of action and change.<br \/>\n\u201cSpace\u201d for Doris Uhlich is a body, similar to the human body. Accordingly, the piece not only puts the human body in motion, but also the flesh of space. The aim is to develop an energy to create ways of seeing the dense complex present as a moving body. Boom Bodies grapples with this body and its\u00a0mechanisms.<br \/>\n\u201cI watch the dancers. There is something I don\u2019t understand. I wonder why the concept of movement involved in eliminating borders thrills me so. The boom energy that gets discharged triggers something existential in me, both when I am watching and when I am dancing it. That\u2019s what I\u2019m trying to pin down.\u201d Doris Uhlich<\/p>\n<p>[su_custom_gallery source=&#8221;media: 256&#8243; link=&#8221;lightbox&#8221; width=&#8221;210&#8243; height=&#8221;210&#8243;]<\/p>\n<h5><span style=\"color: #333333;\"><em>Choreography<\/em> Doris Uhlich<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Dancers<\/em> Eyal Bromberg, Ewa Dziarnowska, Christina Gazi, Hugo Le Brigand, Andrius Mulokas, Yali Rivlin, Roni Sagi, Anna Virkkunen<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Dramaturgy<\/em> Heike Albrecht<\/span><br \/>\n<span style=\"color: #333333;\"> <em>DJ<\/em> Boris Kopeinig<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Light<\/em> Bruno Pocheron<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Costumes<\/em> Attila Lajos &amp; Company<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Feedback<\/em> Katalin Erd\u00f6di, Yoshie Maruoka, Christine Standfest<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Technical adviser<\/em> Gerald Pappenberger<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Production<\/em> Theresa Rauter, Christine Sbaschnigg \/ insert (Theaterverein)<\/span><br \/>\n<span style=\"color: #333333;\"> <em>Coproduction<\/em> Tanzquartier Wien<\/span><\/h5>\n<p><span style=\"color: #333333;\">insert (Theaterverein) is subsidised by the Cultural Department of the City of Vienna<\/span><\/p>\n<p><span style=\"color: #333333;\"><a style=\"color: #333333;\" href=\"http:\/\/www.dorisuhlich.at\" target=\"_blank\">www.dorisuhlich.at<\/a><\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>Doris Uhlich joins eight international dancers to explore a dance technique that is devoted to opening, that tests the limits of energy output and that yearns to be able to use energy to move the surroundings, the outside world \u2013 an output of energy that sees the body as the epicentre of action and change.<\/p>\n","protected":false},"author":1,"featured_media":1142,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":null,"_FSMCFIC_featured_image_hide":null},"categories":[14],"tags":[73,77,74,78,72,16],"_links":{"self":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/157"}],"collection":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/comments?post=157"}],"version-history":[{"count":30,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/157\/revisions"}],"predecessor-version":[{"id":1297,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/posts\/157\/revisions\/1297"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media\/1142"}],"wp:attachment":[{"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/media?parent=157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/categories?post=157"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/heikealbrecht.net\/ha\/wp-json\/wp\/v2\/tags?post=157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}